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Deep in the Abu Dhabi desert, a vast AI campus a quarter the size of Paris is starting to emerge, the oil-rich UAE’s boldest bet yet on technology it hopes will help transform its economy.Towering cranes clank as long, low buildings take shape below, the eventual home of data centres powered by five gigawatts of electricity — the biggest such facility outside the United States.The campus will provide storage and computing capacity over a 3,200-kilometre (1990-mile) radius covering up to four billion people, said Johan Nilerud, chief strategy officer of Khazna Data Centers, a subsidiary of Emirati AI giant G42, which is spearheading the project.Since the 1960s, oil has fuelled the United Arab Emirates’ rise from a desert outpost of nomadic tribes to a Middle East economic and diplomatic powerhouse. Now, the UAE is hoping that AI can help fill the gap when oil demand inevitably wanes.”The UAE is punching above its weight because it’s a very small country that really wants to be at the forefront,” said Nilerud.”The idea is obviously to bring in international partners… to be this AI-native nation,” he added.Phase one of the AI campus — the G42-built, one-gigawatt Stargate UAE cluster — will be operated by OpenAI and is backed by other US tech giants such as Oracle, Cisco and Nvidia.And last month, Microsoft announced more than $15.2 billion in investments in the UAE by 2029, after injecting $1.5 billion last year into G42.- Core subject -The UAE has been betting heavily on AI since 2017, when it named the world’s first AI minister and became the second country after Canada to unveil a national AI strategy. A year later, G42 was founded with backing from Abu Dhabi-based sovereign wealth fund Mubadala. Chaired by the UAE president’s brother, Sheikh Tahnoon bin Zayed Al Nahyan, it offers a range of AI products and employs more than 23,000 people.The UAE said it has pumped more than $147 billion into AI since 2024, including up to 50 billion euros ($58 billion) in a one-gigawatt AI data centre in France.”AI, like oil, is a transversal sector, which can potentially have a leverage effect and an impact on different activities,” said professor Jean-Francois Gagne of the University of Montreal.In 2019, Abu Dhabi opened Mohamed bin Zayed University of Artificial Intelligence (MBZUAI), the world’s first AI-dedicated university. Last August, AI became a core subject in the country’s public schools from kindergarten up.MBZUAI and Abu Dhabi’s Technology Innovation Institute (TII) have since launched generative AI models including Falcon, which compared favourably with industry leaders and now has an Arabic version.Keen to cut reliance on imported hardware and expertise, the UAE has made large investments in research, development and homegrown programmes.TII opened a research lab with Nvidia to “push the boundaries” of generative AI models and develop robotics systems, said executive director Najwa Aaraj.”Sovereignty and self-sustainability and domestic customisation of technology to local needs are all very, very important,” Eric Xing, president of MBZUAI, told AFP.”And also difficult to achieve if you solely rely on importing and external… technical transfer.”- Chips ahoy -In the race for AI market share, the UAE is in the chasing pack behind the US and China, the clear leaders. But the small, desert country has its advantages, chiefly money and energy.With oil, gas and year-round sun for solar power, it can quickly build electricity stations to feed data centres — a major obstacle elsewhere. Deep pockets and unquestioned royal rule give it the freedom to plough billions into AI development and infrastructure.And as the region’s business hub, with a population that is nearly 90 percent expatriate, the UAE has the edge on neighbour and AI rival Saudi Arabia in attracting talent.All the while, the UAE has engaged in a balancing act between the US and China as it seeks imports vital for AI, including the specialist chips that make data centres work.Last month, intense lobbying bore fruit when the US approved the export of advanced Nvidia chips to both the UAE and Saudi Arabia.”They (UAE) clearly don’t want to be dependent on China, but that doesn’t mean they want to depend on the US either,” said Gagne.But despite its progress and years of heavy investment, success in this complex, ever-changing sector is far from guaranteed.”Right now, we don’t know what the right strategy is, or who the good players are,” Gagne said.”Everyone is betting on different players, but some will lose and some will win.” 

Scotland’s Nnena Kalu took home the Turner Prize on Tuesday, with the autistic artist beating four competitors including an Iraqi painter to the prestigious contemporary art award.Glasgow-born Kalu, 59, was nominated for her hanging sculptures using wrapped material, including fabric, rope and tape, with the British disability charity Sense hailing her shortlisting as “incredibly significant”.The jury of the prize, established in 1984 to celebrate contemporary British art, hailed Kalu’s art as “bold and compelling” as well as “the powerful presence these works have”.”This amazing lady has worked so hard for such a long time,” said Charlotte Hollinshead, Kalu’s helper, hailing the artist’s perseverance in the face of stigma. “Nnena has faced an incredible amount of discrimination, which continues to this day, so hopefully this award smashes that prejudice away,” Hollinshead added. “It’s seismic. It’s broken a very stubborn glass ceiling.”The Turner Prize is awarded each year to an artist born or based in Britain for an outstanding exhibition or other presentation of their work.Named after English painter J.M.W. Turner and his legacy of artistic experimentation, the prize, organised by the Tate institution, is one of the world’s leading visual arts awards.The four shortlisted artists were announced on April 23, 250 years to the day since Turner’s birth.British-born Kalu and Rene Matic were joined by Iraqi painter Mohammed Sami and Canadian-Korean artist Zadie Xa. All four now live and work in London, according to the prize organisers.Their work has been on display since September at the Cartwright Hall Art Gallery in Bradford, in northern England.- Seashells, war, race -Alex Farquharson, director of Tate Britain and chair of the Turner Prize 2025 jury, denied that Kalu’s neurodivergence was a factor in the choice to award her the prize.”It was interest in, and a real belief in, the quality and uniqueness of her practice, which is inseparable from who she is… whatever the artist’s identity is,” Farquharson added.Sami, 40, who had been seen by some commentators as the favourite, explores memory and conflict in his war-torn home country in his paintings.Matic, 27, an artist from central England, presents work that blends intimate photography with sound and objects, addressing themes of race, care and vulnerability.Xa, 41, is a finalist for her installation of bells, seashell soundscapes and painted walls drawing on Korean shamanism and ocean folklore.Every other year, the Turner Prize exhibition ventures out of the Tate Britain gallery in London.The prize-winner receives £25,000 ($33,300), while the remaining shortlisted artists will be awarded £10,000 each.- ‘Launching pad’ -Christopher Turner, head of the architecture and design department at London’s V&A museum, said the prize has “struggled to connect with the public… as it used to”.”That said, it is an important launching pad for emerging and mid-career artists,” he told AFP.Previous winners include now-household names such as duo Gilbert & George, Anish Kapoor, Rachel Whiteread, Antony Gormley, Tracey Emin, Steve McQueen and Damien Hirst.The annual award seeks to encourage debate around new advances in contemporary art, which has often spilled over into controversy.Chris Ofili, for example, won in 1998 for incorporating elephant dung into his paintings.Hirst in 1995 exhibited pieces including a rotting cow’s head, while Emin’s 1999 entry “My Bed” — an unmade double bed with stained sheets surrounded by soiled underwear, condoms, slippers and empty drink bottles — attracted huge attention.Scottish artist Jasleen Kaur won last year’s prize with a solo exhibition, which included an installation of a Ford Escort car with a giant doily on it, as the award celebrated its 40th anniversary.

Reporters Without Borders said on Tuesday that Israel was responsible for nearly half of all journalists killed this year worldwide, with 29 Palestinian reporters slain by its forces in Gaza. In its annual report, the Paris-based media freedom group said the total number of journalists killed reached 67 globally this year, up from 66 killed in 2024.Israeli forces accounted for 43 percent of the total, making them “the worst enemy of journalists”, RSF said in its report, which documented deaths over 12 months from December 2024.The most deadly single attack was a so-called “double-tap” strike on a hospital in south Gaza on August 25, which killed five journalists, including two contributors to international news agencies Reuters and the Associated Press.In total, since the start of the Gaza war in October 2023, after the Hamas attack on Israel, nearly 220 journalists have died, making Israel the biggest killer of journalists worldwide for three years running, RSF data shows.In response to the accusation, the Israeli military told AFP that it “does not deliberately target journalists” and noted that “being in an active combat zone carries inherent risks.” It also said that there have been “dozens of examples of journalists who are active in terrorist organisations in the Gaza Strip.”- ‘Not stray bullets’ -Foreign reporters are still unable to enter Gaza — unless they are in tightly controlled tours organised by the Israeli military — despite calls from media groups and press freedom organisations for access.The RSF annual report also said that 2025 was the deadliest year in Mexico in at least three years, with nine journalists killed, despite pledges from left-wing President Claudia Sheinbaum to protect them.War-wracked Ukraine (three journalists killed) and Sudan (four journalists killed) are the other most dangerous countries for reporters, according to RSF.The overall number of deaths last year is down from the peak of 142 journalists killed in 2012, linked largely to the Syrian civil war. It is also below the average since 2003 of around 80 killed per year.RSF editorial director Anne Bocande noted a growing tendency to “smear” journalists as a way to “justify” the crime of targeting them.”These are not stray bullets. This is a deliberate targeting of journalists because they inform the world about what’s happening on the ground,” she told AFP.The RSF annual report also counts the number of journalists imprisoned for their work, with China (121), Russia (48) and Myanmar (47) the most repressive countries, RSF figures showed.As of December 1, 2025, 503 journalists were detained in 47 countries, the report said.Other organisations use different qualifiers to calculate journalist deaths. According to UNESCO, 91 journalists were killed in 2025.